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Learning task 2: Group experience

Context: Writing a poem individually, using a group experience and ideas

Teacher provides students with stimuli, such as a walk, run, shout, play, lie in the grass).

Students brainstorm words to describe the experience (verbs, adjectives, adverbs, nouns).

Students use the words from the brainstorm to create a poem. The focus is on putting the words together to create word pictures.

Students can, if they wish, develop these word-collection poems using more of their own ideas and creativity.
 

Students shape their poems into a form of their choice to share the feelings and images associated with the poem. First drafts are discussed in pairs and groups, edited and re-worked.

Extension

Students draw on the same recollection to write a short feature or letter to inform their audience or set out a point of view that arises from the experience. The focus is on the differences in language use for different purposes.

Learning task 5: Movement

Context: Reading varied poems that have movement images

Students warm up with appropriate Theatre Games.

The teacher leads students in a movement exercise. Students explore how they can make their bodies

  •  hot/cold
  •  fast/slow
  •  young/old etc

The teacher leads the students in movement exercise that concentrates on the movement of weather, seasons, animal and plant life.

Students divide into groups of 4-5. As a group they explore two poems with movement images. (Each student is given a role within the group. Two students are responsible for reading a poem aloud each and the other two students take it turn to facilitate discussion.)

Teacher brings class together for oral feedback of group discussion.

Students return to group. They prepare a presentation of one poem to give to the class. The students must use movement, and every group member is to be involved.

Students write expressively. Focus is on using images of movement.

Learning task 6: Poetic writing

Context: Students working on individual poem

From all the poems and writing the students have done, each chooses one of their own poems to prepare for publication. Several of the stylistic suggestions from Writing for Publication will be useful in the drafting process. See also Poetry Express.

Final edit and re-write done; final copy made.

Publication possibilities: class book, folio, library, student newspaper, Surfing the Net with Kids.

Extension

Publication could include a static image, computer skills, work on a similar theme in another genre.

Consider also:

Class Poetry Slams

Did You See That Poem?

Learning task 1: Possible starter

 Outline the unit to the students. If possible have students in groups enter the word "war" into a variety of search engines. Allocate a different search engine to each group, such as:

  • Google
  • Alta Vista
  • Yahoo
  • Dog Pile
  • Access NZ
  • Hot Bot
  • Infoseek

Based on a quick scan of the first 5 sites returned by each search engine, have each group report back their answers to the following questions:

  • If aliens landed and their only source of information about war was the internet, what would they learn about war?
  • Is war always about military conflict – what other types of wars are there?
  • What are, or have been, the most important wars?
  • What powerful words and images are associated with war?
  • What generalisations could you make about (1) war and (2) the internet?

Learning task 4: Film study - Gallipoli

Film Study - Gallipoli, Peter Weir

Students need to be informed of the events that took place at Gallipoli. Use the for teacher reference. The ideas and techniques will hopefully be discussed by the students during the groupwork carried out.

 Students then view the film, the teacher pausing at times to discuss what is happening. At the end of each viewing session, students should write a summary of the incidents that took place.

group_work (RTF 39KB) in mixed ability groups, students discuss the questions based on the film "Gallipoli" and develop a group poster of the information they come up with. A group report back is needed.

Notes on the visual and verbal features used in film are essential when studying the film. Notes on these should be provided to the students, particularly as they will need to use them to write the essay in the assessment section. A handy way to teach these skills is by using the video "Snail's Pace" by Grant Lahood and the accompanying written work for students. This can be found in the package "Take Five" which deals with short films in schools.

Learning task 5: Song lyrics

 Students should be aware that it is not only poetry that allows people to express their views and feelings in a particular era. Song lyrics are poetry, and they have expressed the emotions and beliefs of many generations, particularly their attitudes to war. Have these attitudes changed over time? With a look at some of the lyrics used over time about war, students can make their own assessment.

A collection of these lyrics can be looked at, as well as some close reading of a few of them.

Tangents from the War Study

If students or teachers wish to go beyond the study of WW1 and the war poets and songs of this time, they can look at Poetry and Music about the American Civil War.

The Trenches on the Web site features Italian war poetry and provides a further link to the German war poets.

Tangents from the Conflict Study

Instead of using the war approach to the conflict study, possible tangents include:
 * Novel - The Outsiders by S.E. Hinton. The film could be used as as a visual language approach. This could also provide a link into short story with On the Sidewalk Bleeding and The Last Spin by Evan Hunter. They also have a gang conflict theme. They deal with teenage issues of gangs, belonging, sense of self and identity.
 * Novel - Z for Zachariah by Robert C. O'Brien. This deals with the nuclear theme and a short story emphasis could be added with The Weapon by Frederic Brown and Peter Appleton's The Responsibility poem. These help to question the students' beliefs in the nuclear issue.

Playing around with poetry

Teacher Anne Girven

 

 YEAR

 LEVEL

 DURATION

7-8 4 2-3 weeks

 

Achievement Objective Being Assessed

Learning Outcomes

Listening to Texts  Listen to texts (poetry), identify the purposes, recall and respond to the main ideas.
Using Texts  Using different text forms, recite, read aloud, and present using appropriate delivery

Processes

 Exploring language  Identify and discuss language features and their effects in a range of texts.
 Thinking Critically  Discuss and interpret texts, considering relevant personal experiences and other points of view.

Supporting Achievement Objective

Learning Outcomes

 Close Reading  Discuss language, meaning and ideas in a range of texts, relating their understanding to experiences, purposes, audience and other texts.

 

Teacher background reading

Teaching and learning activities

Select and adapt these learning activities to best meet the needs of your students, and to fit the time available:

Learning task 1

Learning task 2

Learning task 3

Gather and display a poetry (RTF 5KB) : rhymes, ballads, free verse, narrative poems, nonsense poems, limericks, haiku.

Throughout the unit students to independently read a selection of poetry and keep a record of poems read.

Links for students

Collaborative online projects

Poetry Express

Assessment

Students select a poem they enjoy and prepare a presentation of it for their group.

self_assessment (RTF 570KB)

assessment (RTF 7KB)

Resources

Print

  • Hall, R. Sea Poetry Wayland
  • Harvey, A. Shades of Green Red Fox Books, Guernsey Press
  • Huck, C. Secret Places New York: Greenwillow Books
  • Moon, P. Earthlines Pimlico Pub. Ltd
  • A Packet of Poems Oxford University Press
  • School Journals
  • Library Books
  • Students' own resources

Electronic

Follow up

Students use these skills for writing poems in a selected form. Students share and respond to the poems of others in small groups.

A class anthology could be made and illustrated using the students' writing. See an student_poems (RTF 2MB) of student work.

Learning task 2: The Death of Ben Hall

Read the ballad "The Death of Ben Hall" (School Journal 1991 Pt 4 No. 3)
Discussion:

  • What do you think this poem is about?
  • What have you found out about a ballad?
  • Who were the main characters in this poem?
  • How would you describe Ben Hall?
  • How did the author describe Mike Connolly?
  • Find examples of metaphors, similes, other images that have impact.

Writers have many ways of making words come alive. Look for them in the ballad "Ben Hall". List the language (simile, metaphor, alliteration, onomatopoeia, personification, repetition) that has been used to describe Ben Hall/Mike Connolly/the bushrangers. Share with class.

Map/timeline the various stages in the plot to arrest Ben Hall.

Design a "wanted" poster using verbal and visual features appropriate to the time and setting of this poem.

In groups select, prepare and rehearse part of this poem to present to the class. Decide whether you will use props and what they might be.

Read other ballads, narrative poems and compare - in what ways are they the same/different?

Learning task 3: Rap, Haiku and Cinquain poetry

Rap

Discuss the history of rap. Students to listen to a rap. Discuss issues usually communicated in rap. Students create their own rap based on their feelings, emotions, or issues they feel strongly about. Share with the class.

Suggested starter - Red Riding Hood:
 Walking in the woods, early one day
 I saw Red Riding Hood coming my way...
 Other nursery rhymes can be used to create a rap.

Haiku poetry

Read a selection of haiku poems either shared, guided or independently.

Discuss the format and brainstorm ideas for writing. Record suggestions. In pairs or individually write a haiku, edit and illustrate. Student to choose whether to publish their work.

Encourage students to select words that create a particular mood or feeling and to refer to a thesaurus to find a better/alternative word.

Haiku: Teaching Japanese Poetry Writing
Haiku (ARB username and password required to view this resource)

Cinquain poetry

Read a selection of poems. Discuss format and the use of adjectives, action verbs, adverbs, nouns, synonyms. Students to shape, write, edit and share their writing in this form with their group.

Encourage students to read/recite poems in different and entertaining ways, for example chanting, raps, whispers, echoes. Explore the language of a variety of poetry forms, use of similes, metaphors alliteration, onomatopoeia.

Poetry to be shaped and written in any form and on any theme/topic. Brainstorm and chart ideas, for example windsurfing, computers, hunger, pain, memories, smells ...

Students to select a poem they enjoy, and prepare a presentation of it for the group, either independently or with a partner. This could be their own writing.

Learning task 1: Strategies for description

Teacher Background Reading

Strategies for describing

Teacher models the following process:

  • Students choose a person they know well (discourage students selecting a personal friend), someone who is important to them with something colourful or interesting about them, eg. uncle, aunt, grandparent, cousin or neighbour.
  • Discuss with the students that the words they use to describe the person they can "see in their mind's eye" are like the brush strokes that an artist uses to paint a portrait. The words are the images that "paint pictures in our mind".
  • Encourage students to think about why the person they chose is special or important to them.
  • Teacher models how these characteristics may be used to write a description (RTF 508KB) they have created. The description should include as many of the characteristics that have been developed as are necessary to paint a well rounded picture of the characters.
  • Students write down the name of the person they chose and mind map or brainstorm things they know and remember about that person, eg. appearance, sayings, actions, stories, feelings.
  • Review similes and metaphors from Exploring Language and how these can be used to enrich character descriptions, eg. smells like musty old hay and apples.
  • Using the ideas from the mind map/brainstorm, the teacher models how they can be written as similes or metaphors, eg. face brown, cracked like dried out puddles.
  • Model writing a character_sketch (RTF 6KB) using their mind map/brainstorm.

    The language_features (RTF 22KB) of the teacher's writing should be discussed and students encouraged to make suggestions for ways to improve the sketch.

  • Students character_plan (RTF 798KB) and write a draft character sketch. Students will share their draft writing with a partner giving and receiving feedback. Focus questions: What do you still need to know about my character? How do you think I could improve my description?
  • Teacher models recrafting (editing) and proofreading.
  • Students edit and proofread, and conference with teacher to identify and suggest strategies to improve the character sketch. A conference is the interactions between the teacher and the student with regard to the student's work. They can be individual, peer, and small group conferences. There should be a range of questions asked during the conference which will: open the conference, follow the writer's information, deal with basic structures, deal with process and explore the content. Teachers should expect the student to be able to describe their purposes for writing. Who are you writing this for? Who is going to want to read this? Often the writer has not expressed all that is necessary to communicate what they wish to say about a topic. It is important for them to realise that the reader has only the words on the page. Teacher's specific questions, (who, what, where, when, which, how, why) may help the student to clarify sequence through talking ideas over with the teacher.
  • Following the above process students develop another character (this could be an imaginary character). The students will need to write several character sketches (vignettes) before they combine their vignettes into a more comprehensive piece of writing. This will depend on the purpose of the writing and the age and experience of the writers.
  • Students role-play 2 characters meeting and questioning each other about their actions, eg. Why did you...? What did you mean by...? How did you feel when...? How did you react to...? Are you proud of...?
  • Teacher reads and discusses excerpts from parts of texts where characters meet each other. Discuss and identify the clues the author gives as to the personality of the characters, eg. appearance, behaviour, speech, character interaction, their thoughts/actions. Discuss how the author demonstrates Show Don't Tell.
  • Teacher models writing the interaction of the characters. This involves the planning for setting the scene (how/when characters come together).

Assessment task:

  • Students discuss their characters with a partner and orally "set the scene".
  • Students plan and write the events that take place when their characters meet/interact.
  • Students in small groups read and share their writing. Encourage constructive feedback.



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